Category: Animation

Geographies of container shipping: the awesome interactive Shipmap

Given that over 90% of the world’s goods have travelled by sea, anyone interested in ‘follow the thing’ research needs to have a detailed sense of the geographies of container shipping. This animated, interactive shipmap shows global commercial shipping movements (including but not limited to container shipping) in 2012. It’s awesome. It was shortlisted for the Global Editors Network Data Journalism Awards in 2016. Click the image to get to it. Click play and all is explained. Then experiment.

 screen-shot-2017-01-03-at-17-04-17Created by London-based data visualisation studio Kiln and the UCL Energy Institute.

New in Lego: A Global Positioning System

A Global Positioning System

Here’s the latest of our Lego re-creations, made today to add to one of our first published pages: on Melanie Jackson’s (2006) digitally generated animation (and catalogue) A Global Positioning System.  Continue reading

Everything is (not) awesome: Greenpeace, Shell & Lego activism.

Greenpeace & Lego

Greenpeace want Lego to end its links with Shell, and are currently campaigning through the medium of imaginative Lego re-creation. This video is one of a number of examples, whose aim is to encourage people to sign this petition. In the wake of the hugely successful Lego Movie (whose stars make a cameo appearance) this campaign is becoming perhaps the most lavish and high-profile example of Lego activism to date.

followthethings.com & Lego

On a much smaller budget, we’ve been making, photographing and posting online re-creations in Lego of (imagined) scenes from trade justice films, art and activism for a while now. See, for example, our recreations from and around the BBC Panorama documentary ‘Primark on the rack’. Continue reading

Our 4th #followtheteachers post: on subvertisement workshops

Vuitton

“What the §^*! are we doing here?”

A couple of weeks ago, we published a guest post from Eeva Kemppainen describing the ways in which her work for followthething.com and her masters thesis on trade justice pedagogy in the UK and Finland, had led to her work on a ‘Closing the Gap’ project with Finnish pro-ethical trade NGO Eetti . This is Eeva’s second post, in which she describes how she works with diverse groups of students (using followthethings.com as a resource) and shows the kinds of subverts that her students create.

Continue reading

Making music in trade justice education: listen up!

Creative academic expression

There’s an undergraduate module at the University of Exeter called ‘Geographies of Material Culture’. It’s one of two University modules whose student coursework form the basis of almost every followthethings.com page. The module is assessed through students’ critical self-reflections on whatever comes to mind through reading the academic literature and working together to research and publish draft ‘compilation’ pages and new work for the site. They are encouraged to be creative, to express themselves in ways that rework the traditional essay formal that everyone is used to. The work is diverse and fascinating. You never read the same thing twice.

‘How am I gonna be an activist about this?’

One type of work that’s started to emerge in 2013 are original songs, written, recorded and published online by students and written about on paper. There have been two so far. The first is by  Jenny Hart, who submitted her song at the start of the module this year (in October). She’s trying to get her head around the key theoretical baselines of the module. The second is by Tommy Sadler, who submitted his song at the end of the module last year (in January). He’s expressing what the module was about, for him. Both shared their songs via Soundcloud, and you can listen to them here:

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Continue reading

Our #followtheteachers blogging begins

We’ve been working with a group of trainee high school teachers at the University of Nottingham this year. We’ve talked in detail with them about how followthethings.com could help them engage their students in a variety of complex and sometimes controversial geographical issues.

We enjoyed working together so much that, after hosting together a ‘Teaching with followthethings.com’ workshop at the 2013 Geographical Association conference, we decided to continue our work as they begin their careers as Geography teachers.

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We decided to call what we were doing the ‘follow the teachers’ project. This would a) follow the use, adaptation and creation of followthethings.com resources to teach geography and related subjects, and b) share these experiences and resources online for others to use. Over the next few months, we’ll be hearing from seven teachers involved in this project.

We begin with Oprah Whipp’s use of our page on a Simpson’s couch gag to teach her students about globalisation and geographical thought.

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I had a class of 30 year 7 pupils, mixed ability who had never studied the concept of globalisation, however this is a topic covered in detail in year 9, and again at GCSE and A Level. What could I do to put a spin on this topic, that wouldn’t become repetitive? 

I began looking through the followthethings.com web page, which I was introduced to during my PGCE course at the University of Nottingham and came across the video clip directed by Banksy, and the opening sequence he created for an episode of the cartoon series ‘The Simpsons’. This was something  I felt that my class would relate to, and capture their imagination. 

This is the bag! Get one free by emailing followthethings@yahoo.com

Get a bag from followthethings@yahoo.com

In the lessons prior to this, I had introduced key terms, and completed followthethings.com shopping bag missions 1-3 on the Mission:Explore website. I adapted mission 3 – ‘Who made it?’  – by splitting the class into two groups, and asking one what they would say to a person who had made their bags, and the other what they thought those workers would say to them. This allowed pupils to gain a brief understanding of the concept of globalisation, focusing on worker’s rights.

This lesson began with me recapping the term globalisation, and then introducing Banksy by showing the pupils a picture of one of his guerrilla artworks (download my powerpoint slides). I asked them to think geographically, and about the topic we had been looking at over the past two weeks to help them do so. The class coped really well with this, and a couple of the higher levelled pupils even knew the artist and were able to inform their peers on his background. 

A card from pupil to factory worker.

From pupil to factory worker.

The detailed walk through of the clip provided on its  followthethings.com page enabled the gifted and talented pupils to read out loud to the rest of the group, which ensured the initial material (the video clip) was accessible to each member of the class and they understood Banksy’s reasoning behind it. 

My main task was for the pupils to create their own piece of guerrilla art. Here is where differentiation became apparent. The lower levelled pupils interpreted Banksy’s work, and wrote a vague description and reasoning behind their work, whereas the higher achieving pupils really came to life, incorporating ideas from the previous lessons (the postcards and the meaning of the word globalisation). 

I really enjoyed this lesson, teaching it was a highlight of my teaching practice, especially because of the positive feedback I received from my pupils. 

Update: twitter feedback

What if Easter bunnies knew the truth about chocolate?

Animation and humour can play powerful roles in trade justice campaigning. Perhaps the most well known example is the peanut who criticises the regulation of world trade in The Luckiest Nut in the World.  See our page on that film here.

The most recent example of this genre was launched earlier this month in Switzerland. To make public the findings of their recent report on the sourcing of raw materials by Swiss chocolate manufacturers, Swiss NGO the Berne Declaration (aka Erklärung von Bern) commissioned animators / filmmakers Kompost to imagine what Chocolate Bunnies would do if they knew more about themselves. As Kompost state:

Easter in Switzerland is a busy time for the chocolate industry. Billions of delicious chocolate bunnies are produced by the grand masters of chocolate. Unfortunately, still many Swiss chocolate companies and retailers are producing their chocolate under exploitative conditions; a third even refuse to make a statement to this issue. EvB, a Swiss NGO responsible for fairer globalization, tries to put an end to this with the help of these ads.

The two commercials Kompost designed, directed and animated, show the EvB-chocolate bunny trying to take his life, as he simply cannot live knowing these shocking facts. With the help of a hair dryer and a hotplate, the chocolate bunny tries to melt his sorrows away. His attempts however fail, and he is left with the bitter reality.

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In 2013, you could show your support for this campaign by adding your square of chocolate to this petition bar.

If we could read German (or had more confidence in online translation tools), we’d be making a new chocolate Easter bunny page for followthethings.com. We’d start with Erklärung von Bern‘s facebook page (in which the timeline of the campaign is set out), draw upon sources like this online article and its comments and the comments on YouTube by people who watched these ads there.

If you would like to put together a followthethings.com page on these Bunny ads, the campaign and the discussion they generated (using the standard Descriptions – Inspiration / Process / Technique / Methodology – Discussion / Responses – Outcomes / ImpactsSources / Furter Reading headings), please get in touch with us via followthethings@yahoo.com.

We are beginning to publish pages in languages other than English, starting with these chocolate pages in English and Finnish. This campaign could be next…

Update

18 April 2013: Erklärung von Bern reported on the successes of this campaign (in German) here.

[Readers may be aware of the Berne Declaration (Erklärung von Bern) as the organisers of the annual Public Eye Awards for the Worst Company of the Year)