It’s Fashion Revolution week this week. Today is the fourth anniversary of the deadly Rana Plaza collapse in Savar, Bangladesh. We’ve been working closely with Fashion Revolution almost from the start, our CEO Ian being a member of its Global Coordination Team. followthethings.com brings to Fashion Revolution a keen interest in cultural activism, its creation, discussion and impacts, This week we will be sharing each day a form of cultural activism that has made significant contributions to the movement.
Today’s post shows how photographs from the Rana Plaza site in the hours and days after the collapse were used to engage consumers and shame brands and retailers who refused to acknowledge that their clothes were being made there at the time. In this 2014 TED talk, Bangladeshi documentary photographer Ismael Ferdous talks about those he took on the day and what he did with them when he took them to New York. Guerrilla Projection is the activist tactic. This is moving, inspiring, troubling work.
Samantha Corbin & Mark Read (2012) Tactic: Guerilla Projection. in Andrew Boyd (comp.) Beutiful trouble: a toolbox for revolution. New York: O/R, 52-53
Hannah Harris Green (2014) Photographer Ismail Ferdous On Documenting the Rana Plaza Factory Collapse. The Aerogram 15 May
We’re involved in running a session at the Royal Geographical Society (Institute of British Geography) annual conference this summer whose aim is to bring academic fashion experts into dialogue with the Fashion Revolution movement. We’re asking how fashion research can contribute to what is becoming a worldwide movement for a more ethical / sustainable fashion industry in the wake of the Rana Plaza factory collapse in April 2013. We’re looking for academic research from any discipline that can contribute to Fashion Revolution’s five year planning. Here’s what we’re doing. Please get in touch with Ian, Lousie and/or Alex to discuss any ideas. The deadline for abstracts is Friday 12th February.
– Call for papers –
Scholar activism and the Fashion Revolution: ‘who made my clothes?’
The collapse of the Rana Plaza factory complex on April 24th 2013, which crushed to death over 1,000 people making clothes for Western brands, was a final straw, a call to arms, for significant change in the fashion industry. Since then, tens of thousands of people have taken to social media, to the streets, to their schools and halls of government to uncover the lives hidden in the clothes we wear. Businesses, consumers, governments, academics, NGOS and others working towards a safer, cleaner and more just future for the fashion industry have been galvanised.
Earlier this year, one of followthethings.com’s activities was to take a group of Exeter Geography undergraduates to the Victoria and Albert museum in London to compare its Disobedient Objects, Rapid Response Collecting and Fashion collections/exhibitions. We’d heard that some of the Disobedient Objects could not only be followed into and through the exhibition (lent by and returned to those who made them), but also out from it: as the exhibition’s DIY leaflets were being used elsewhere in the world to make the objects on display. We then found this article by Alice Bell which explains this brilliantly.
— Gavin Grindon (@GavinGrindon) September 30, 2014
Art historian Gavin Grindon first spotted DIY gas masks last year, looking through photos of the Gezi Park protests in Turkey. He was developing an exhibition on the art and design of protest, and was intrigued by a street-based response to tear gas: essentially a surgical mask stuffed inside a sliced plastic bottle, with some insulating foam and elastic added for good measure.
“As far as I can tell, it was playing around with what [protesters] had on hand,” Grindon told me. The trick of soaking cloth in lemon juice or vinegar has long been used by protesters to protect themselves against tear gas. But Grindon believes that as tear gas is being used more and more, people are looking for something more powerful. (For instance, Greek activists are experimenting with antacid medicine as more effective than vinegar.) For his part, Grindon imagined he could use a rough how-to guide for the bottle-based idea he found pinned to a wall in some photos to design something even better.