In the wake of the Trump election in the USA, our favourite book is now available at discount prices – e.g. $1 as an eBook – until the end of this week:
It’s perfect of our purposes and is available until the end of this week – in the wake of the Trump election – for only $1 as an eBook. It comes with a free study guide. There’s a website, too. But books are best!
Overnight, [Scarlett Johansson] has become the Marie Antoinette of the Israeli-Palestinian conflict, smiling regally and offering: “Let them sip soda.” (source)
We’ve been following carefully how actor Scarlett Johansson (a.k.a Scarjo) was forced last week to choose between her role as an Oxfam Global Ambassador and as the face of soft-drink machine maker Sodastream.
How can we use images to tell the stories we want to tell – an avoid repeating the ones we don’t? (Platform 2012).
We were very happy to see that Set 11 of Lego’s Minifigures included a new Grandma figure with a cat and shopping bag. We purchased our Grandma at the Thomas Moore store in Exeter, where staff can tell you what’s in each packet just by feeling it.
We know that photos of Cats and Lego are among the most shared on social media. We want more people to know about our site and what it’s all about. ‘Flo the Cat’ is helping us to do this.
These are the first ‘What the cat brought home’ photos that we added to Flo’s flickr set today. They point towards our page on Anna Chen’s 2010 Radio 4 investigation China, Britain and the Nunzilla Conundrum. Let us know what you think and, maybe, buy yourself a cat and bag and take some other ‘Flo the cat’ photos for us to publish.
If you haven’t seen Nunzilla wound up and in action, watch this short video:
And here’s what this radio show did with her:
“[The Nunzilla Conundrum] takes the example of British designed, Chinese-made ironic novelty gifts … and expands it into an illuminating discussion of the cultural differences between the two nations, with Chinese production line workers hard-pressed to describe what it is they’re making while British designers are oh-so keen to deconstruct the joke” (Naughton 2010, np).
See our page for more.
We researched a 2009 BBC Panorama documentary ‘Primark on the rack’ for followthethings.com. This was a documentary exposing Primark for producing its notoriously cheap clothes in Indian sweatshops. It contained a 45 second scene in which child labourers were filmed checking that sequins were firmly attached to its sequined tops. Primark claimed that this scene had been ‘faked’ and made a concerted effort to discredit the whole film, with mixed success (detailed on our site here).
As with many of our pages, we made a few scenes in Lego, uploaded them to a flickr set, and embedded them. Today, we added a couple of new scenes to our ‘Primark on the rack’ set, to bring the story up to date.
These scenes are intended to highlight a theme that cuts across a number of examples of followthethings filmmaking on our site: corporations responding to sweatshop, worker health and environmental destruction exposures by employing public relations and/or legal teams to ‘prove’ that key scenes – and, by implication, whole films – are ‘faked’. This is, for example, how Primark responded to the BBC documentary in 2009, how Dole responded to Fredrik Gertten’s documentary ‘Bananas!*’ in 2009 (link), and how Chevron responded to Joe Berlinger’s documentary ‘Crude: the real price of oil’ in 2009 (link).
This past week has seen relentless TV news footage and newspaper column inches devoted to the Savar Rana garment factory collapse. Journalists have told unfolding stories of dramatic rescue efforts and the shocking numbers of people who made Primark, Joe Fresh, Matalan, Mango, Benneton, Bon Marche and other branded clothes being found dead in the wreckage of their workplace or missing, presumed dead.
NGOs and others are putting pressure on these clothing brands to respond appropriately to this disaster by properly compensating its victims and their families, by signing agreements that they’d been reluctant to sign before, and by putting into place more comprehensive auditing practices so that what they agree to is more likely to be done in the future.
This pressure continues to be applied, and companies are responding. On Monday, for example, the BBC reported that Primark had released a statement saying that it ‘accepts all its responsibilities in this disaster’ (Source: BBC 2013 link). ALL of them. We shall see.
This is not a single documentary with a named director, whose work can be ‘discredited’ with the right PR and legal teams in place. This is ‘Primark on the rack 2013’. Click the photos to get to the whole 6 scene set.
Postscript: why Lego?
We’ve been inspired by Lego re-creations that we found online of hidden scenes from the ‘War on Terror’. They had been made and posted online in 2009 by an artist/blogger called Legofesto (see her flickr sets here). She argued that:
‘By using toys, I hope the viewer will linger longer over the image and think again about what is actually being depicted or described, in a visual language that is recognised by us all: LEGO. … The incongruity between the immoral and horrific acts and events depicted and the smiley-faced children’s toy create a tension’ (legofesto in Time Magazine 2009 link).
By photographing re-creations and publishing them online, she argues:
‘I want to keep the debate going. To keep it in people’s minds, to remind us of our atrocities because the media has moved on and they don’t want to dwell on the tactics [of the ‘War on Terror’]. … People are using Legofesto to talk about torture and state violence’ (legofesto in Carling 2009 link).
We want our Lego re-creations to help keep trade (in)justice debates going, to keep them in people’s minds, etc. in a similar way.
Yes. A story appeared in Gizmodo today saying that, 55 years ago, Lego bricks were first patented. We are interested not only in their origins, but also in their powers…
For the most part, Lego is one of the great levelers in the toy world: kids love it, adults get excited about it, and you can build practically anything you like out of it. While most wholesome family fun turns out boring or desperate, Lego transcends age and gender and makes everyone want to play.
Here at followthethings.com, we use Lego for our own means,re-creating scenes from ‘follow the things’ examples showcased on our site, posting them on Flickr and hoping that they will generate interest in our site. See a sample from our Flickr set in the right hand column of our blog.
What the Gizmodo article includes is one of Lego’s earliest commercials, in German, illustrating its playful, leveling effects… Enjoy!