In the summer of 2020, Geographies of Material Culture, the undergraduate module behind our website, was totally reorganised for online teaching and learning. As detailed in our recent post announcing the launch of its public archive, it brought together 10 ‘follow the thing’ films and 10 followthethings.com pages about their making, discussion and impacts.
This module was also redesigned – from the selection and sequence of these films to the content and appearance of its website – to try to decolonise its pedagogy. Over the past couple of years a brilliant decolonising network has taken shape at our university with all kinds of exciting initiatives involving staff and students all over the place. The changes made to our module were informed and inspired by this wider movement. Some were generic strategies for decolonising a module and others were more tailored to the module, its materials and its aims. Module leader and followthethings.com ‘CEO’ Ian has been trying to channel his white privilege through anti-racist education for over 20 years now (see this from 2000). But this felt like a step change for his research and teaching about the ‘follow the things’ genre of commodity activism which simply asks ‘Who made my stuff?’
If you check the module’s public archive, you will see how the following decolonising strategies helped to shape it. There were five aims:
- to disrupt the ‘white saviour complex’ of ‘guilty’ Northern (white) consumers wanting only to shop more ‘ethically to help exploited (POC) workers by trying to shift responses to ‘who made my stuff’ filmmaking ‘from guilt to solidarity’ (Young 2003).
It’s International Women’s Day tomorrow, so we’ve picked out a documentary that’s soon to be featured on our site: Maquilapolis – city of factories. This is a preview of its page in our Electrical Department. It’s unique in the ‘follow the things’ genre because its both about, and made with and by, factory working women.
Maquilapolis – city of factories
Type: Documentary film (68 mins, in Spanish with Spanish or English subtitles)
Directors: Vicky Funari and Sergio de la Torre, in collaboration with the factory workers.
Production Company: Independent Television Service (ITVS).